Whitfield had co-written a strident anti-war protest song, "War," for the Temps' Psychedelic Shack LP, and in spite of growing demand for a single release, Motown didn't want the group to take such an aggressive stance. When he returned to the studio, it was with producer Norman Whitfield, who'd been reinventing the Temptations as a psychedelic soul act. The follow-up, "I'm Still a Struggling Man," wasn't as successful, and Starr was something of a forgotten man for several months. Contract negotiations took some time, but Starr rebounded with his biggest hit yet in 1969's "25 Miles," which reached the Top Ten on both the pop and R&B charts. Motown head Berry Gordy subsequently bought out Ric Tic and took over its artist roster, with Starr the crown jewel. Starr capitalized on the song's novelty appeal by appearing on-stage in a spy costume complete with toy gun, but proved he was no one-trick pony by returning to the Top Ten a year later with "Stop Her on Sight (S.O.S.)." "Agent Double-O-Soul" hit the R&B Top Ten later in 1965, and just missed the pop Top 20. Two years later, Starr wrote what he felt was a surefire hit in the spy-themed "Agent Double-O-Soul," and left Doggett's band to sign with Ric Tic Records and settle in Detroit. When he returned in 1962, he tried to get things going again, but to no avail instead, he wound up joining Bill Doggett's group as a featured vocalist in 1963. They won numerous local talent competitions and even recorded a single for a small label, but Starr was drafted into the military in 1960, stalling the group's momentum. He grew up in Cleveland and formed a doo wop quintet called the FutureTones while still in high school. Starr was born Charles Hatcher in Nashville, TN, on Janu(his cousin was deep soul singer and songwriter Roger Hatcher). Even if nothing else ever matched the phenomenon of "War," Starr had several Top Ten hits on the R&B charts over the late '60s and early '70s, and also enjoyed a brief renaissance during the disco era. Starr first made his name as "Agent Double-O-Soul," and when his contract was transferred to Motown, he instantly became one of the roughest, toughest vocalists on the crossover-friendly label, with his debt to James Brown and the Stax soul shouters. The only cooling points are versions of Sly & the Family Stone's "Stand," and a soulful rendition of George Harrison's "My Sweet Lord.Rightly revered for the storming protest classic "War," Edwin Starr didn't really need another hit to achieve legendary status in soul circles, so electrifying was that single performance. And it's easy to see why, it has the same driving beat that is prevalent on this LP. The Miracles' "Way Over There" was first released on Edwin's debut Motown LP the brain trust at Hitsville U.S.A. Whitfield recorded the same songs by different artists, so it didn't surprise me to hear Edwin doing the Temptations' "Ball of Confusion," which employs a motor-booty beat to drive home its socially significant lyrics. Norman had the session musicians playing fast, funky and reckless, as Edwin belted, at the top of his lungs, his love for low-down grooves. From Starr's opening line, "Make the Sign of Peace," and "Sing Now!" It's a nonstop rocker that suffered from comparisons to "War." Unbelievable, but "Funky Music Sho Nuff Turns Me On" reaches even higher decibels. A follow up to his #1 "War," the jammin' "Stop the War Now," which many fluffed off as a copy cat, is actually its own brand of poison. Producer Norman Whitfield had the explosive singer hitting incredible notes in the studio. It's amazing that Edwin Starr had any voice at all after recording these songs.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |